The Sacred Gift of Mother Earth

//The Sacred Gift of Mother Earth

The Sacred Gift of Mother Earth

What these and many other monuments worldwide have in common is that they are all located above an ancient sacred deep water spring (Templar’s castles, ancient churches and cathedrals), an intersection of underground water lines (megalithic stone circles from the Neolithic period) or a certain pattern of underground water lines (ancient round or long barrows and alignments of rows of standing stones like the Carnac megaliths) directly connected to the primary deep water trapped in a certain layer in the deep Earth and whether or not combined with regularly recurring astronomical events in honour of their gods. These water lines are equal to ancient deep underground water streams and directly connected to the Earth’s energy grid or ley lines. For the ancients, the existence of flowing water deep inside the Earth was represented by a divine crawling snake living beneath the surface of the Earth.

Chartres Cathedral – 1830

The Well of Chartres Cathedral

Unlike groundwater, this water is of excellent quality, clean and unspoiled, but above all, it is associated with properties concerning healing and eternal life which made this substance the medieval ‘Holy Grail’ or the ‘Philosopher’s Stone’ from which the “Elixir of Life” could be derived. Therefore, without realising it, the knowledge of this pure ancient water became the most sacred that the Templars took home from the Holy Land after the failed crusades which ended in the 13th century and this knowledge was gratefully applied to the construction of their temples and castles throughout Europe. Nevertheless, this divine water is still worshiped by many modern pilgrims and religious people from all over the world.

Well’s Cathedral – England

Jerusalem – 1852

The Waters in Jerusalem – The Gihon Spring

“There is an inexhaustible reservoir of water, as would be expected from an abundant spring gushing up naturally from within; there being moreover wonderful and indescribable cisterns underground, of five furlongs, according to their showing, all around the foundation of the Temple, and countless pipes from them, so that the streams on every side met together. And all these have been fastened with lead at the bottom of the side-walls, and over these has been spread a great quantity of plaster, all having been carefully wrought,” Eusebius’ recording of the “Letter of Aristeas” – chapter 38.

Aristeas was an Alexandrian Jew who lived in the era of the later Ptolemies, approximately the second or third century BCE and is remembered for the “Letter of Aristeas” addressed to his brother Philocrates in which he describes the Greek translation of the Hebrew Law.

The Gihon Spring is one of the world’s largest springs and the only one in Jerusalem near the ancient City of David. The name Gihon comes from the Hebrew Gihu, meaning “gushing forth.” It was the main source of water supply during ancient times and according to Aristeas, it was located within the Temple’s precincts meaning that the only possible location of Solomon’s Temple would be above the Gihon Spring near the City of David instead of Temple Mount a third of a mile further north – https://yrm.org/lost-temple-mount-found-pt1/

The entrance to the Gihon Spring or Virgin’s Fountain (c. 1900-1920)

This ancient water enclosed in the deeper layers of the Earth could well be as old as the Earth itself. The origin of water that may have been trapped deeper within the Earth is still unclear to scientists but it is the most important condition for the existence of life on this planet. A substance more precious than gold that is closely associated with the life and death of Jesus Christ but just as well to ancient stone circles and barrows, the megaliths of Carnac and certain medieval cathedrals, churches and temples. In a way, this water has been claimed by religions but there is no doubt that it is the most precious gift of Mother Earth to its inhabitants and may rightly be called the “Elixir of Life.”

By |2018-12-27T15:48:58+00:00december 27th, 2018|

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the harmony of sound

The values of the diameter of the Moon of 2,160 English statute miles and of the Sun of 864,000 statute miles are linked to musicology. The number 216 corresponds to 216 hertz as an octave of the natural attune of 432 hertz instead of 440 hertz, which is now regarded as the standard frequency of sound on which all tuning forks and musical instruments are tuned. Mid twentieth century, the 440-hertz frequency was internationally accepted as the standard musical, but unnatural keynote A. The more natural 432-hertz frequency complies with the harmonics of the universe and better suits human nature. When the A is equal to 432 hertz, then the musical note E is equal to 324 hertz with its ‘Great Octave’ being 81 hertz, the lowest E-tone playable on a musical instrument, and the fifth harmonic of the ‘Golden Frequency of Giza’ of 16.2 hertz. The relationship between the Sun, Earth and Moon is based on the number 432 as a harmonious and universal constant. ‘Musica Universalis.’

The number 432 is a significant universal constant and the natural harmonic frequency of 432 hertz seems the only right choice as the standard frequency. All in perfect harmony with the universe and numerically related to the number 9, the ‘number of creation.’ All digits of these universal numbers always add up to 9 as if the number 9 is a means of control for the correctness of the specific number. This applies to all other frequencies when the natural standard frequency is 432 hertz instead of 440 hertz. The 432-hertz frequency is only 8 hertz down in frequency but a clear measurable difference in harmony, both audible and visible. The most precise musical instrument ever created is the original antique Stradivarius violin, designed to resonate at a frequency of 432 hertz, similar to all ancient Egyptian and ancient Greek instruments.

de harmonie van klank

De diameter van de Maan van 2160 Engelse ‘statuut mijl’ en de diameter van de Zon van 864.000 mijl zijn direct gekoppeld aan de muziekwetenschap. Het getal 216 komt overeen met de 216 hertz-frequentie als een octaaf van de natuurlijke frequentie van 432 hertz in plaats van 440 hertz, die nog steeds beschouwd wordt als de standaard frequentie waarop alle stemvorken en muziekinstrumenten zijn gestemd. Halverwege de twintigste eeuw werd de 440 hertz frequentie internationaal aanvaard als de standaard muziek- of kamertoon A. De meer natuurlijke frequentie van 432 hertz is echter gebaseerd op de harmonie van het universum en past veel beter bij de menselijke natuur. Als de A gelijk zou zijn aan 432 hertz, dan zou de bijbehorende muziektoon E gelijk zijn aan 324 hertz waarvan het zogenaamde ‘Groot Octaaf’ dan weer gelijk is aan 81 hertz, de laagste E-toon die door een muziekinstrument kan worden gespeeld en is tegelijkertijd de ‘vijfde harmonische’ van de ‘Gulden Frequentie van Gizeh’ van 16.2 hertz. Het verband tussen de Zon, Aarde en de Maan berust op het getal 432 als harmonische en universele constante. ‘Musica Universalis.’

Het getal 432 is een significante universele constante en de natuurlijke harmonische frequentie van 432 hertz is daarom de enige juiste keuze voor de te gebruiken standaard frequentie in de muziek. In perfecte harmonie met het universum en numeriek opgeteld gelijk aan het cijfer 9, een belangrijk scheppingsgetal. Alle afzonderlijke cijfers van deze universele getallen zijn opgeteld altijd gelijk aan 9 alsof het cijfer 9 een controlemiddel is voor de juistheid van het betreffende getal. Dit geldt voor alle frequenties als de natuurlijke standaardfrequentie gelijk is aan 432 hertz in plaats van 440 hertz. De 432 hertz-frequentie is maar 8 hertz lager in toon en toch is er een duidelijk verschil, zowel hoorbaar als zichtbaar via zijn waterklankbeeld. Het meest nauwkeurige muziekinstrument ooit gemaakt is de originele Stradivarius viool die is ontworpen om te resoneren op een frequentie van 432 hertz, net als alle Oud-Egyptische en Oud-Griekse instrumenten.