Content Lectures

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Content Lectures2018-10-06T16:26:23+00:00
Lecture Giza
The Great Pyramid

Lecture 1: The Library of Giza – Monument of Creation

The Great Pyramid of Giza in Egypt is one of the seven wonders of the ancient world and the only one left. For centuries, this enigmatic building has been visited and explored and one still tries to find its true meaning and function. Both the construction method and function will always be a source of inspiration for many professional and non-professional researchers, both in Egypt and beyond. However, for Willem Witteveen, the Great Pyramid is not a tomb of Pharaoh Khufu, but an ancient archive or library intended for present generations and containing the crucial ‘Golden Frequency of Giza’, responsible for the origin and existence of life on Earth. The four earthly elements Earth, Water, Air and Fire are an essential part of the message bequeathed to us, as they constitute an important part of our creation and merge in the Great Pyramid of Giza. Water and vibration, essential components of the earthly elements, form the key to this amazing mystical legacy. A process wherein the ‘divine’ is represented by the fifth, all-encompassing element Aether as the carrier of all information, both on Earth and beyond. This lecture with the title mentioned above is the story of Willem Witteveen’s book entitled ‘The Great Pyramid of Giza – a modern view on ancient knowledge.’ A book about a ‘new vision’, mainly based on own research but not without linking existing ancient knowledge, modern physics, logic and intuition. A pilgrimage to our ancient past in order to develop an own personal vision without being influenced by our modern scientific knowledge and dogmas; knowledge that sometimes does not appear to be that ‘modern’ at all. A new vision, primarily based on a sustainable Earth. Just like our ancient predecessors are trying to tell us. Open yourself to this new vision, but also to the magic of Ancient Egypt and join this ‘journey.’

The Great Pyramid
Lecture Saqqara
The Step Pyramid of Djoser

Lecture 2: Saqqara – Laboratory of the Gods

A story about an extraordinary site in Egypt where most inexplicable artifacts are found and where archaeological excavations are still taking place. An area of ​​interest to archeologists and Egyptologists because of the many layers of ancient Egyptian funeral traditions that can be found here. It is a strictly protected area, about 30 kilometres south of Giza (Cairo), where archaeological finds are regularly kept secret from the public by the Egyptian authorities and are as such not exhibited in museums. And yet, there is still a lot to discover; artifacts and phenomena unknown to archaeologists and therefore labeled as pseudo-scientific nonsense that does not fit into the mindset of the modern Egyptologist. Saqqara was an important place in ancient times, where many experiments took place concerning healing methods by means of  sound and vibration as an important element of the electromagnetic spectrum in modern physics. The founder of Egyptian medicine resided in Saqqara, was a high priest at Pharaoh Djoser’s court and was best known as the architect of the famous Step Pyramid. His name was Imhotep, and because of his extensive knowledge of medicine, he was deified and declared to be a god of healing and medicine by the Egyptians two thousand years after his death. The Greeks in Egypt equated him with their god Asclepius, the Greek god of medicine. This makes Saqqara a very intriguing site, but also a place of caution. Even the Bible plays an important role its history. The second part of the lecture is about the role of the Ark of the Covenant and its relationship with Ancient Egypt and Saqqara in particular. This Ark might have served a totally different purpose than hitherto still being accepted by the traditional Christian culture. Through this story, a corner of the veil of secrecy is lifted, however, a closed veil might have been better.


the harmony of sound

The values of the diameter of the Moon of 2,160 English statute miles and of the Sun of 864,000 statute miles are linked to musicology. The number 216 corresponds to 216 hertz as an octave of the natural attune of 432 hertz instead of 440 hertz, which is now regarded as the standard frequency of sound on which all tuning forks and musical instruments are tuned. Mid twentieth century, the 440-hertz frequency was internationally accepted as the standard musical, but unnatural keynote A. The more natural 432-hertz frequency complies with the harmonics of the universe and better suits human nature. When the A is equal to 432 hertz, then the musical note E is equal to 324 hertz with its ‘Great Octave’ being 81 hertz, the lowest E-tone playable on a musical instrument, and the fifth harmonic of the ‘Golden Frequency of Giza’ of 16.2 hertz. The relationship between the Sun, Earth and Moon is based on the number 432 as a harmonious and universal constant. ‘Musica Universalis.’

The number 432 is a significant universal constant and the natural harmonic frequency of 432 hertz seems the only right choice as the standard frequency. All in perfect harmony with the universe and numerically related to the number 9, the ‘number of creation.’ All digits of these universal numbers always add up to 9 as if the number 9 is a means of control for the correctness of the specific number. This applies to all other frequencies when the natural standard frequency is 432 hertz instead of 440 hertz. The 432-hertz frequency is only 8 hertz down in frequency but a clear measurable difference in harmony, both audible and visible. The most precise musical instrument ever created is the original antique Stradivarius violin, designed to resonate at a frequency of 432 hertz, similar to all ancient Egyptian and ancient Greek instruments.

de harmonie van klank

De diameter van de Maan van 2160 Engelse ‘statuut mijl’ en de diameter van de Zon van 864.000 mijl zijn direct gekoppeld aan de muziekwetenschap. Het getal 216 komt overeen met de 216 hertz-frequentie als een octaaf van de natuurlijke frequentie van 432 hertz in plaats van 440 hertz, die nog steeds beschouwd wordt als de standaard frequentie waarop alle stemvorken en muziekinstrumenten zijn gestemd. Halverwege de twintigste eeuw werd de 440 hertz frequentie internationaal aanvaard als de standaard muziek- of kamertoon A. De meer natuurlijke frequentie van 432 hertz is echter gebaseerd op de harmonie van het universum en past veel beter bij de menselijke natuur. Als de A gelijk zou zijn aan 432 hertz, dan zou de bijbehorende muziektoon E gelijk zijn aan 324 hertz waarvan het zogenaamde ‘Groot Octaaf’ dan weer gelijk is aan 81 hertz, de laagste E-toon die door een muziekinstrument kan worden gespeeld en is tegelijkertijd de ‘vijfde harmonische’ van de ‘Gulden Frequentie van Gizeh’ van 16.2 hertz. Het verband tussen de Zon, Aarde en de Maan berust op het getal 432 als harmonische en universele constante. ‘Musica Universalis.’

Het getal 432 is een significante universele constante en de natuurlijke harmonische frequentie van 432 hertz is daarom de enige juiste keuze voor de te gebruiken standaard frequentie in de muziek. In perfecte harmonie met het universum en numeriek opgeteld gelijk aan het cijfer 9, een belangrijk scheppingsgetal. Alle afzonderlijke cijfers van deze universele getallen zijn opgeteld altijd gelijk aan 9 alsof het cijfer 9 een controlemiddel is voor de juistheid van het betreffende getal. Dit geldt voor alle frequenties als de natuurlijke standaardfrequentie gelijk is aan 432 hertz in plaats van 440 hertz. De 432 hertz-frequentie is maar 8 hertz lager in toon en toch is er een duidelijk verschil, zowel hoorbaar als zichtbaar via zijn waterklankbeeld. Het meest nauwkeurige muziekinstrument ooit gemaakt is de originele Stradivarius viool die is ontworpen om te resoneren op een frequentie van 432 hertz, net als alle Oud-Egyptische en Oud-Griekse instrumenten.