Introduction

/Introduction
Introduction2019-01-05T16:53:37+00:00

Willem Witteveen

Introduction

Willem Witteveen (1957) studied nautical sciences and engineering, then spent 15 years as a navigational officer on merchant vessels, followed by 25 years as a maritime pilot in the port of Rotterdam. His background in navigational sciences, together with his worldwide travels to many different countries, inspired a lifelong interest in ancient civilisations, ancient documents and ancient writers.

Finally back on shore, he is now a full-time researcher and is currently focused on Ancient Egypt and its corresponding connections to human history. Articles by Witteveen have been published in several magazines and on various websites and his first book, concerning the function of the Great Pyramid of Giza, was first published in Dutch in October 2012.
He lives in the Netherlands with his wife and two children.

His research is supported by regular visits to Egypt. There is still much to discover, but research into ancient mysteries by not conventionally trained Egyptologists are not always supported and welcomed by the local authorities. Fortunately, more and more researchers and scientists from various disciplines are interested in the specific technologies that formed the basis of several ancient civilisations worldwide. More specialised scientists and researchers in the field of philosophy of science, astronomy, mathematics, physics, chemistry, navigation, stone processing, architecture and construction are, together with archaeologists and Egyptologists, necessary in order to reach more solid conclusions about civilisations from our distant past.

It is not about what you have studied, but it is about logical thinking and being able to establish necessary connections without being obstructed by oppressive dogmas. It is about time to connect science and spirituality, as this was in fact enshrined in the ancient Egyptian culture and ancient cultures worldwide.

The main purpose of his books, articles and web site is to reach more people who want to be able to think for themselves about their own past and draw their own conclusions instead of following not always reliable sources that often have their origins in mainstream science. Do not just believe everything you were always told in the mainstream media and history books, but observe and think for yourself.
For example the Great Pyramid is no tomb and certainly not built in 20 years as still being told. Some dogmas are very persistent and difficult to break through and that is not always to blame them, because expertise is often lacking, expertise of experienced construction professionals and scientists from other disciplines.

Therefore, the buzzard is a guiding theme in his books and articles. In between writing he was often accompanied by a buzzard during hiking. The buzzard is in fact an animal totem representing life and death, but is mainly a symbol for the development of a new vision – your vision to be more precise.

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the harmony of sound

The values of the diameter of the Moon of 2,160 English statute miles and of the Sun of 864,000 statute miles are linked to musicology. The number 216 corresponds to 216 hertz as an octave of the natural attune of 432 hertz instead of 440 hertz, which is now regarded as the standard frequency of sound on which all tuning forks and musical instruments are tuned. Mid twentieth century, the 440-hertz frequency was internationally accepted as the standard musical, but unnatural keynote A. The more natural 432-hertz frequency complies with the harmonics of the universe and better suits human nature. When the A is equal to 432 hertz, then the musical note E is equal to 324 hertz with its ‘Great Octave’ being 81 hertz, the lowest E-tone playable on a musical instrument, and the fifth harmonic of the ‘Golden Frequency of Giza’ of 16.2 hertz. The relationship between the Sun, Earth and Moon is based on the number 432 as a harmonious and universal constant. ‘Musica Universalis.’

The number 432 is a significant universal constant and the natural harmonic frequency of 432 hertz seems the only right choice as the standard frequency. All in perfect harmony with the universe and numerically related to the number 9, the ‘number of creation.’ All digits of these universal numbers always add up to 9 as if the number 9 is a means of control for the correctness of the specific number. This applies to all other frequencies when the natural standard frequency is 432 hertz instead of 440 hertz. The 432-hertz frequency is only 8 hertz down in frequency but a clear measurable difference in harmony, both audible and visible. The most precise musical instrument ever created is the original antique Stradivarius violin, designed to resonate at a frequency of 432 hertz, similar to all ancient Egyptian and ancient Greek instruments.

de harmonie van klank

De diameter van de Maan van 2160 Engelse ‘statuut mijl’ en de diameter van de Zon van 864.000 mijl zijn direct gekoppeld aan de muziekwetenschap. Het getal 216 komt overeen met de 216 hertz-frequentie als een octaaf van de natuurlijke frequentie van 432 hertz in plaats van 440 hertz, die nog steeds beschouwd wordt als de standaard frequentie waarop alle stemvorken en muziekinstrumenten zijn gestemd. Halverwege de twintigste eeuw werd de 440 hertz frequentie internationaal aanvaard als de standaard muziek- of kamertoon A. De meer natuurlijke frequentie van 432 hertz is echter gebaseerd op de harmonie van het universum en past veel beter bij de menselijke natuur. Als de A gelijk zou zijn aan 432 hertz, dan zou de bijbehorende muziektoon E gelijk zijn aan 324 hertz waarvan het zogenaamde ‘Groot Octaaf’ dan weer gelijk is aan 81 hertz, de laagste E-toon die door een muziekinstrument kan worden gespeeld en is tegelijkertijd de ‘vijfde harmonische’ van de ‘Gulden Frequentie van Gizeh’ van 16.2 hertz. Het verband tussen de Zon, Aarde en de Maan berust op het getal 432 als harmonische en universele constante. ‘Musica Universalis.’

Het getal 432 is een significante universele constante en de natuurlijke harmonische frequentie van 432 hertz is daarom de enige juiste keuze voor de te gebruiken standaard frequentie in de muziek. In perfecte harmonie met het universum en numeriek opgeteld gelijk aan het cijfer 9, een belangrijk scheppingsgetal. Alle afzonderlijke cijfers van deze universele getallen zijn opgeteld altijd gelijk aan 9 alsof het cijfer 9 een controlemiddel is voor de juistheid van het betreffende getal. Dit geldt voor alle frequenties als de natuurlijke standaardfrequentie gelijk is aan 432 hertz in plaats van 440 hertz. De 432 hertz-frequentie is maar 8 hertz lager in toon en toch is er een duidelijk verschil, zowel hoorbaar als zichtbaar via zijn waterklankbeeld. Het meest nauwkeurige muziekinstrument ooit gemaakt is de originele Stradivarius viool die is ontworpen om te resoneren op een frequentie van 432 hertz, net als alle Oud-Egyptische en Oud-Griekse instrumenten.